Best Canon PowerShot SX530 Black Friday & Cyber Monday Deals 2021
The Canon PowerShot SX530 HS ($429.99) is probably the smaller cameras available with a 50x zoom ratio, and it doesn’t really skimp on features to get there. The superzoom uses a 16-megapixel CMOS image sensor that supports 1080p video capture and Canon’s unique Creative Shot mode, and its control layout is pretty good for a point-and-shoot model. It doesn’t quite earn Editors’ Choice accolade for models with 50x or higher reach, though. Another Canon camera, the PowerShot SX60 HS ($479.00 at eBay) , is our choice instead, thanks to a 65x zoom lens, an integrated EVF, and Raw shooting support. But the SX60 HS is bigger and more expensive, giving you reason to consider the SX530 HS as a more affordable alternative.
Get Huge Discount on Canon PowerShot SX530 in Amazon (Black Friday & Cyber Monday Sales + Deals)
Design and Features
The SX530 HS ($199.00 at Amazon) measures in at 3.2 by 4.7 by 3.6 inches (HWD) and weighs 15.6 ounces. It offers a deep handgrip and a huge lens that juts right out of the body, giving the looks of an extremely small D-SLR or mirrorless camera, however the lens isn’t detachable and there is no electronic viewfinder. If size is not a priority, and you are considering the most zoom you will get on a budget, don’t count out the Panasonic Lumix DMC-FZ70 ($249.99 at eBay) (3.8 by 5.1 by 4.7 inches, 1.3 pounds), with a 60x lens and EVF, but omits Wi-Fi.
The 50x lens covers a 24-1,200mm (full-frame equivalent) field of view, that allows you to fully capture wide-angle landscapes and zoom in on distant objects. The f-stop starts at f/3.4 at the wide end and narrows to f/6.5 when zoomed completely in, however the optical stabilization system is strong enough to provide crisp results at the utmost zoom range. If you feel that 1,200mm reach can be an overkill (and for most photographers it really is) but would like a lens that captures more light throughout its range, remember that the older Panasonic Lumix DMC-FZ200 continues to be available on the market. Its 24x (25-600mm) zoom maintains an f/2.8 aperture throughout, and its own price is competitive with the SX530 HS.
When shooting at telephoto distances, the overall guideline for photography is to create the shutter speed as the reciprocal of the focal length. That rule started in the times before optical stabilization. Modern superzoom compacts just like the SX530 HS sport pretty powerful image stabilization, to the stage where I could get crisp images at shutter speeds given that 1/50-second when zoomed completely in. I took care to carry the camera steady, and was working with a static subject. If you are tracking a bird in flight as well as your hands are significantly less than rock solid it’s wise to change to Tv (Shutter Priority) mode and decide on a shorter speed, particularly if you’re shooting outdoors under bright sunlight.
The deep handgrip goes quite a distance to helping you contain the camera steady, but you will still need to utilize the rear LCD to frame images. A camera just like the SX60 HS or the Fujfiilm FinePix S1 with an eye-level EVF permits you to frame shots with the viewfinder at your eye, which is naturally steadier than holding it at arm’s length to start to see the rear LCD. The display is a 3-inch panel with a 461k-dot resolution. It’s fixed, but sharp enough to verify framing and focus. In addition, it has good viewing angles.
The most notable plate houses the energy button, a typical mode dial, a control wheel, the zoom rocker, and the shutter release. The shutter and zoom control sit at the front end the surface of the handgrip, which is sized so you will have to curl your index finger back order to use them comfortably. The control wheel adjusts aperture or shutter speed in the corresponding priority modes. Full manual shooting is available as a choice.
There are two buttons on the left side of the lens barrel. The very best may be the Framing Assist function. If you lose an eye on your subject when zoomed in you can press and hold it to widen the field of view of the lens. An overview shows on the trunk LCD to point your previous focal length, and releasing the button returns the lens compared to that zoom position. It can even be used to automatically frame subjects for portraiture; pressing it without holding it down permits you to select a face, chest muscles, or full body subject; the lens will automatically zoom to frame a portrait. The low button activates a focus lock system, which works with the lens stabilization. If you are tracking a moving object, holding it down will shift lens factors to keep it in frame. It’s worth using, particularly if you’re trying to track birds in flight.
There are more controls on the trunk. To the proper of the thumb grip, at an angle that almost puts them on the proper side, you’ll discover a dedicated button to record videos and an exposure compensation button. Flat on the trunk, below the thumb grip, is a four-way controller with a center Func./Set button and direct controls for ISO, flash output, the focus mode, and information display. Menu, playback, and a dedicated Wi-Fi button round out the trunk controls. Additional shooting settings, including white balance, the drive mode, and the metering pattern, are accessed via an overlay menu that’s opened via the Func./Set button.
Like other recent Canon compacts, the SX530 HS includes Creative Shot. It’s a mode that Instagram fans should focus on. When set to Creative Shot, six total pictures are captured every time you press the shutter. The foremost is the shot as you framed it, and the other five have crops and artistic filters applied automatically. If you are more of an artistic type it’s worth checking out, as you may well be happy with the results it delivers.
Wi-Fi is made in, and there’s an NFC sensor on the left side of your body. But when you have an iPhone or other device without NFC, you can still pair the SX530. The camera broadcasts a Wi-Fi network; you merely need to hook up to it via your phone and launch the free Canon Camera Connect software for iOS or Android. The iphone app makes copying images to your phone or tablet for editing and online sharing a straightforward matter.
Remote control can be supported. The iphone app can modify the lens zoom, control the flash output, toggle the self-timer, and capture an image. But that’s it-manual control isn’t available, and if you are shooting in Creative Shot mode the camera is only going to capture one image. There is no GPS built-in, but if you need to include location data to images that can be done so via the app. You will have to allow the positioning log function before you begin shooting, and make certain the camera’s clock is synced to your phone. But so long as you have those ducks in a row, the iphone app will add GPS coordinates to images via Wi-Fi.
Performance and Conclusions
The SX530 HS starts and shoots in about 1.2 seconds, which is pretty speedy considering that its big lens must extend to the ready position for the reason that time. Its autofocus speed is quick at the wide angle, about 0.08-second, nonetheless it does decelerate when zoomed completely in. If your subject is near in-focus it requires about 0.6-second to lock, nonetheless it can exceed 2 seconds to bring a totally blurred subject into sharp focus and fire off a go. Even at its slowest, its focus system is preferable to that of the Samsung WB2200F ($594.95 at Amazon UK) , which regularly didn’t lock onto high-contrast targets when zoomed completely in.
Continuous shooting is offered by only 1 speed, about 1.8 fps. With an easy memory card, just like the SanDisk 95MBps SDHC card we use to check digital cameras, you can take the shutter button down and fire off shots consistently at this specific rate. Other long zoom models can shoot at faster rates, but are occasionally limited in duration; the Panasonic FZ200 manages 5.5fps, but limited to 16 shots.
I used Imatest to observe how good the camera’s lens and 16-megapixel sensor were at capturing photos. On our standard center-weighted sharpness test drive it scores 2,071 lines per picture height. That’s much better than the 1,800 lines we search for in an image, and that quality is maintained through a lot of the frame. The outer edges are somewhat soft (1,318 lines), but that’s very typical for a concise camera. The Canon SX60 scores simply a little better on a single test, at 2,180 lines, and shows similar performance at the edges of the frame.
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Imatest also checks photographs for noise. The SX530 HS keeps noise under 1.5 percent through ISO 800, and shows about 1.6 percent at ISO 1600. Close study of images on a calibrated NEC MultiSync PA271W display demonstrates image quality is very good through ISO 400; the discrete lines inside our ISO test scene remain visibly separate there. Pushing to ISO 800 blurs those lines slightly, but photographs remain quite useable. There’s more blur than I love to see in photographs at ISO 1600, and ISO 3200 ought to be avoided. If you’re considering an extended zoom camera that does an improved job in dim light, consider sacrificing some zoom range. The Panasonic FZ200 includes a 24x lens with a set f/2.8 aperture, and the pocket-friendly Panasonic ZS50 ($249.99 at Amazon Canada) is very good through ISO 1600-both sport a 12-megapixel image 1/2.3-inch image sensor, that provides a higher ISO advantage over the more densely packed 16-megapixel sensor employed by this Canon model.
Video is recorded in MP4 format at up to 1080p30 quality. It lags behind other models that support 60fps capture, and shows some rolling shutter artifacts during quick camera movements. This effect, which in turn causes the very best of the frame to seem to advance quicker compared to the bottom, is exacerbated when zoomed tightly on a topic. This also causes hook wobbling effect when framing images at maximum zoom, but isn’t obvious in photos. But in addition to that, which is something we’re used to seeing in superzoom cameras, the video is very good. It’s sharp, the focus is speedy, and music is clear on the soundtrack-even when the lens is zooming in and out. There exists a mini HDMI port for HDTV connectivity, in addition to mini USB port to plug right into a computer. The SD/SDHC/SDXC memory card slot is positioned in the battery compartment, and Canon includes an external wall charger to recharge the included battery. In-camera charging isn’t available with this model.
The Canon PowerShot SX530 HS is a good choice if you’re buying a smaller model with an exceptionally long contact lens at a decent price. Some photographers could be turned off by having less an electronic viewfinder, but you will typically have to invest a little more to obtain a model with an excellent one. Integrated Wi-Fi and Canon’s fun Creative Shot mode round out a camera that gives good images, though it can be slow to target when zoomed completely in. If you are not married to the thought of a 50x lens, you might find that choosing a camera with a shorter contact lens nets overall better images-that’s the case with both 24x Panasonic FZ200 and the pocket-friendly 30x Panasonic ZS50, both which are for sale to around the same price as the SX530, and so are Editors’ Choice winners. Well known camera with a 50x or longer lens, the Editors’ Choice Canon PowerShot SX60 HS, has beefed-up specs, including an EVF, Raw shooting support, and a 60x zoom that covers a wider angle and zooms beyond the SX530. It’s more costly, but it’s worth the excess money if your photography requires extreme telephoto reach.