Best GoPro HERO 3 Black Friday Offers 2020
Watch any broadcast of a daredevil stunts show or extreme sport and you may doubtless spot just a little box mounted on an appendage or vehicle. GoPro may be the go-to guy of sports cameras.
GoPro’s 2012 fall into line of HERO3 cameras has been put into three: the White, Silver and Black editions all sport different megapixel counts and frame rates. The Black Edition may be the top dog with a twelve-megapixel sensor with the capacity of shooting larger images and with enough processing capacity to snap bursts of 11MP images at 30 fps.
All HERO3s include Wi-Fi built-in, and also a redesigned casing with a set lens which has resulted in two improvements over its predecessor, the HERO2.
Firstly, fogging inside case has been reduced. In an instant head-to-head by using a helmet-mounted camera on a chilly mountain bike trail we found the HERO2 misted up after 10 minutes’ hard pedalling, whilst the HERO3 showed no misting at all.
GoPro HERO3 instantly
Lens: f/2.8 6-element aspherical glass lens
Memory : Micro SD class 10 or more, supports up to 64GB
LCD Screen: Optional LCD Touch BacPac £79.99, 3.5mm headphone jack
Video resolution: WVGA, 720p, 960p, 1080p, 1440p, 2.7K, 2.7K Cin, 4K, 4K Cin
ISO range ISO x-xx expandable to: Not stated
Focus modes: Auto
Max burst rate: 30fps at 11MP
Shutter speeds: Up to 240 fps (848 x 480 pixels)
Dimensions: 1.7 x 1.5 x 2.2 cm
Power: Li-ion 3.7V 1050mAh 3.885Wh. Charge via USB
The other benefit for the brand new case is you could take the camera underwater without needing to buy another dive housing. Once within it will produce high-quality images with decent colour reproduction, even in the relatively dim light of a two-metre deep pool where we took ours for a splash.
The HERO3 can be smaller and lighter by 25 grams. The fat loss is very welcome for anybody that’s ridden with one atop their head.
Also down in proportions, but not capacity, will be the battery and memory card slot, which now utilises microSD cards.
As with the prior models you have the choice of recording video in PAL or NTSC. Shooting modes go from WVGA (848 x 480 pixels) at 240 fps through to the more prevalent 720p and 1080p, up to 120fps and 60fps respectively.
The GoPro HERO 3: Black Edition also ships with a Wi-Fi remote that may control up to 50 cameras simultaneously
From there we get into more exotic high-definition sizes of 1440p, 2.7K, 4K and 4K Cin (4096 x 1260 pixels), with the major resolution being captured at 12fps.
Construction & handling
The plastic housing, just like the previous version, is robust enough to be knocked, dropped, drenched and thrown about.
There’s a supplementary lock at the top hinge that can be fiddly with cold or gloved hands, but will protect from accidental leverage of the hinge, although we did find the hinge assembly coming faraway from time to time.
The mount attachment is equivalent to previous models to help you reuse your existing mounts without buying new ones, or take good thing about the many ALTERNATIVE PARTY options out there including the K-Edge GO BIG mounts.
The only reasons for having the camera that contain got bigger will be the operational buttons for the menu and shutter activation: a noticable difference over the prior model, since it makes operating the camera outside and inside the housing easier.
The menu system is unchanged although, much like previous HERO cameras, you can get yourself pressing the same button again and again to cycle through the menus when you’ve clicked at night option you wished to change.
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The metering functions cope perfectly across a variety of light conditions and rapidly changing light conditions.
The sensor and compression improvements, regarding quality over the HERO2, are clear when looking at 100% crops of identical photographs with a decrease in artefacts.
You will find a tiny improvement in resolution and chromatic aberration continues to be present, but less so than with previous models.
The white balance, which is often adjusted in nerd-friendly Kelvin, isn’t always right in auto mode, returning magenta-tinged blues sometimes, but nothing a little post production couldn’t fix.
One marked improvement may be the capability to retain details in highlights. On the prior model bright areas were easily blown out, but there’s far more detail now.
There exists a sacrifice to be produced at length in dark areas, which we found when shooting into low autumnal light. But this camera originates from California, where they love sunlight.
LCD touchscreen performance
The optional touchscreen is a fantastic addition, only if for navigating the menus. Whilst only 5cm over the diagonal it eliminates the guess work from lining up shots, and an possibility to check back footage efficiently.
The unit does not have its own power so that it is a drain on your own camera’s battery. There is no setting to improve the brightness and the screen isn’t obvious in bright sunlight.
Why they thought we would use white graphics on light grey backgrounds is a puzzler, when more contrasted icons would lead to easier viewing.
It’s rather a little slow to react to presses in video playback.
When shooting underwater, the touch functions won’t work so you will be relying on the standard buttons for menu selection.