Best Panasonic FZ300 Black Friday Offers 2020
Superzoom cameras just like the Panasonic Lumix DMC-FZ300 ($599.99) are attractive options for photographers who would like the versatility of an extremely long zoom range together with the ergonomics of an SLR, but don’t want to transport an interchangeable lens camera and some lenses. The FZ300’s 24x lens doesn’t sound that ambitious on paper-pocket models like Panasonic’s own ZS50 have the ability to put 30x lenses right into a smaller package, and others like our Editors’ Choice Canon PowerShot SX60 HS reach incredible 65x telephoto ratios. However the FZ300 includes a fixed f/2.8 aperture, so that it captures as much light at its widest angle since it does when zoomed completely in-a rarity because of this class. If your photographic needs don’t extend beyond 600mm, and you value weather sealing, 4K video, and a lightning-fast autofocus system, the FZ300 is a wonderful, but pricey, choice in its right.
The FZ300 took its design cues from SLRs. Its fixed lens is comparable in proportions to the compact contact lens bundled with most consumer models; the complete package measures 3.6 by 5.2 by 4.6 inches (HWD) and weighs 1.5 pounds. That is clearly a far cry from the pocket superzoom Panasonic ZS50 (2.5 by 4.4 by 1.4 inches, 8.6 ounces), however the ZS50’s f/3.3-6.4 variable aperture lens loses light-gathering capability quickly as you zoom in, and its own integrated EVF isn’t practically as large or as crisp as the main one in the FZ300.
The FZ300 sets itself in addition to the competition with a set f/2.8 lens. It covers a 25-600mm (full-frame equivalent) range without sacrificing any light-gathering capability since it zooms. Other superzooms that utilize the same size 1/2.3-inch image sensor, just like the Nikon P900, lose light when zooming as a way to achieve high zoom ratios. To provide you with a concept of the zoom range in a real-world setting, have a look at the shot of geese above-it was captured at 25mm, somewhat wider compared to the field of view of your typical smartphone camera. The image of the geese in flight below was captured at the 600mm position from the same vantage point.
It is the 1/2.3-inch image sensor that may persuade to be a concern for some photographers taking into consideration the FZ300. When the FZ200 premiered in 2012, that was the typical sensor size for long zoom models. But premium models with drastically larger image sensors have grown to be more prevalent. The Sony RX10 II, which includes a 24-200mm f/2.8 zoom, does not have enough telephoto reach to essentially put it at odds with the FZ300.
However the Canon G3 X (25-600mm f/2.8-5.) and Panasonic’s own FZ1000 (25-400mm f/2.8-4) are worth taking into consideration as alternatives to the FZ300. Despite the fact that they have variable aperture lenses, they feature higher resolution 20-megapixel image sensors. Thus giving you more room to crop photos, even though they do lose light when zooming, high ISO performance is strong for both cameras. The FZ300’s 12-megapixel sensor is among the better 1/2.3-inch chips regarding high ISO performance, nonetheless it doesn’t match with the Sony-made 1-inch BSI CMOS sensor when shooting at a higher sensitivity.
That said, you may still find reasons to pick the FZ300 over either the G3 X or the FZ1000. As the G3 X matches it in zoom range and betters the FZ300 in image quality, it omits an EVF, doesn’t focus as quickly, doesn’t support 4K video capture, and is drastically more costly. The FZ1000 is an improved match-it’s still more costly, but includes an EVF and 4K recording, though it omits the elements and dust protection incorporated with the FZ300, so that it is a less appealing choice for travel and nature photography.
Controls and Features
Your body is rife with physical controls. There’s a zoom rocker and manual focus dial on the left side of the lens, plus a button to toggle between standard autofocus and autofocus with the macro shooting range enabled. The most notable plate carries a mechanical release for the pop-up flash, and also the hot shoe, mode dial, on / off switch, control dial, zoom rocker, shutter release, record button, and programmable Fn1 (EV compensation by default) and Fn2 buttons.
The Fn4 button is nestled on the trunk plate, left of the EVF-by default it toggles between your rear LCD and EVF, with a third setting activating the attention sensor for computerized switching. The AF/AE Lock button sits to the proper of the eyecup; it’s surrounded by a switch that changes between AFF/AFS, AFC, and MF focus modes. A four-way directional pad, with center Menu/Set button, sits to the proper of the LCD-directional presses are being used for menu navigation, aswell concerning set the drive mode, focus area, ISO, and white balance. Additional rear controls include Fn3 (by default it activates the Q.Menu, and deletes images during playback), Display, and Play.
The Q.Menu can be an overlay display that provides you fast access to additional settings, and never have to go in to the menu or losing tabs on your frame. You can adapt the aperture, EV compensation setting, flash output, focus area, focus mode, ISO, image size and extendable, metering pattern, picture style, shutter speed, video quality, and white balance out of this menu.
Like other recent Panasonic models, the FZ300 supports the business’s 4K Photo mode. It captures 8-megapixel stills (the same resolution as 4K video) at 30 fps, but is with the capacity of doing this at higher shutter speeds than are usually used for video (to be able to freeze motion), and at the narrower 4:3 aspect ratio still photographers prefer. You can be limited by JPG shooting with all the 4K Photo feature, but it’s a sensible way to capture images at an extreme frame rate to ensure you get an ideal moment when photographing fast-moving action. In case you have a major memory card you can rattle off 4K images for shy of thirty minutes before needing to take your finger from the shutter release.
The trunk LCD is a vari-angle touchscreen. It swings right out of the body and rotates to handle anywhere from along to straight ahead-that’s not simply a boon for selfie photographers, but also an advantage for videographers who wish to give an interview subject a concept of what sort of shot is framed. The display is crisp (1,040k dots) and bright. The touch functionality is nicely implemented-you can put it to use to navigate through menus and activate on-screen controls, but you can also tap a location of the frame to create a focus point. If you permit Touch Pad AF, the trunk display remains sensitive to touch if you are using the EVF, so that you can still set the focus point by touch even though the camera reaches eye level.
Wi-Fi can be an expected feature in modern cameras. The FZ300 supports wireless image transfer (for JPGs) when paired with the free Panasonic Image App for Android and iOS. The iphone app also supports geotagging (let’s assume that your phone and the camera’s clock are synchronized) and handy remote control. Full manual control is available-you can modify aperture, EV compensation, shutter speed, and white balance, among other settings, and zoom in and out. A Live View feed is displayed on your own phone’s screen. It’s a smooth stream, and you will tap to give attention to an area just just like you were using the trunk display itself. There’s a good special shutter release setting that requires a picture whenever your phone’s accelerometer detects an abrupt change in motion-that’s useful for capturing shots of jumping in to the air.