Best Sennheiser HD 25 Cyber Monday Deals 2020
A professional-first product with exceptional staying power
During the last five years, I’ve watched numerous iconic studio headphones make their way onto the advice lists of reviewers and in to the hands of everyday audio tracks listeners.
Several products involve some amount of clear crossover appeal. Sure, these were at first built for working environments, but a headphone is a headphone. They’ve got pads, a headband, and a “flat” sound signature…isn’t that what you’d also want for a everyday listening environment?
The M50X, 7506, DT770, HD600, and many more have found their way to avoid it of the pro audio tracks world, because of straddling the line sufficiently to work for a variety of use cases. The M50X even got a consumer-focused Bluetooth release.
Sennheiser’s HD25 couldn’t be farther from having crossover capability. Its wonderful sound signature may possibly please most consumer listeners, but the rest about any of it screams “professional, working headphone.”
It’s weird and idiosyncratic in so many ways, and shines when compared to rest of Sennheiser’s product lineup. I sort of love it.
The Sennheiser HD25 can be an on-ear, closed-back wired headphone that retails for approximately $149 US. Merely to keep things confusing, it will come in a number of different models…one which isn’t actually the same headphone at all.
The HD25 and the HD25 Plus ($199) are both ditto, with the same basic design, build, and drivers. The Plus version adds a supplementary couple of ear pads, a supplementary cable, and a carrying bag.
At the other end of the purchase price spectrum may be the $99 HD 25 Light. The HD25 was at first developed as a pro-audio/DJ product. Twelve months following its release, British Airways asked for a version that may be directed at Concorde passengers for in-flight noise cancellation. That special Concorde version eventually cause the consumer-focused HD25SP, now called the HD25 Light.
Regardless of sharing the same branding and a passing visual similarity, it’s an totally different product with a different headband, and various drivers that Sennheiser has attemptedto tune for the same sound signature. The internet connections and ear pads are inter-compatible with the other HD25 models, however the headphone generally isn’t as well-regarded as its more-expensive siblings. I’ll look into it sooner or later in the future.
Sennheiser in addition has released a few limited edition versions of the through the years, with aluminum ear cups and various cosmetic designs. Plus they also used to can be found in a few different impedance variations, however the 70 ohm model is currently the primary one.
DJ headphones and pro monitoring headphones desire a few things so as to work well for all those professions.
They desire a relatively strong bass response when compared to remaining signature, and high power handling capability, in order that DJs can crank them up somewhat to listen to the bass beats in tracks without blowing out their gear or their ears with the non-bass pieces of the audio. They want high isolation from ambient noise. Plus they desire a rugged build that’ll survive the rigors of a hardcore environment.
The HD25 provides most of these things, and feels more purpose-built to these ends than basically any other headphone.
I’ve come to anticipate a particular kind of sound from Sennheiser…and the HD25 differs enough concerning be surprising. And impressive.
Sennheiser is most known because of their open-back headphones, and their somewhat-relaxed sound signature that their critics often make reference to as “veiled.” They typically deliver accurate bass and midrange, and a treble region that’s been gently sculpted downwards to give you a good balance of detail and gentle listening.
The HD25 gets the most aggressive sound signature I’ve heard out of a Sennheiser headphone. It’s powerful, exciting, intense, yet still somehow accurate enough that I don’t feel just like I’m hearing dreck.
Its signature includes a strong overall bass response, with particular energy in the mid and upper bass that’s surprising. It’s nearly enough to become a pounding thumpy basshead-style of sound, but nonetheless present and voluminous. The midrange may be the classic flat Sennheiser perfection, with wonderful tonal clarity and accurate tambre. And the treble is both louder and quieter than I expected, with a major push in the mid/upper treble range which makes things just a little gritty prior to the normal Sennheiser roll-off.
The effect is a headphone that’s indeed ideal for DJ and production monitoring purposes, and can be reasonably fun to pay attention to…somewhat just like the other studio headphones that contain made waves in the buyer space. It doesn’t have the flat, even, balanced character that a lot of Sennheiser products do. Instead, it’s got just a little bite and energy to it.
It’s an excellent listen for my own music tastes, both professional and personal.
Left-right imaging is super accurate, and the soundstage is intimate and precise, if you need to do any kind of channel balancing work, that is a good option.
Within the last week of listening, I’ve been really impressed at how well these split the difference between a “fun” and a “balanced” sound. I’ve hardly ever really been tempted to call a Sennheiser headphone fun before, but their DJ roots also make sure they are a good listen for pop music, movies, and games.
That is, when you can discover a good fit on your own head.
I don’t usually like wearing on-ear headphones. I’ve a huge head, and I wear glasses. Most on-ear headphones barely fit on my head because of their smaller size, and even the kinds that do have a tendency to pinch my ears after around 20 minutes.
The Sennheiser HD 25 potentially offers a reasonably comfy fit for a good, small, closed on-ear headphone. You’ve just surely got to be ready to fiddle with it.
These might possibly be the most adjustable headphones I’ve ever used. The cups have a variety of along size adjustments, and even on my big head I’ve a few extra clicks of adjustment size. The cups give a good little bit of vertical and horizontal rotation within their mounting system, and their circular nature signifies that you have a variety of options for where you intend to place the headband on your own head.
Further, the headband itself is highly adjustable. The HD25 includes a split headband design, and adjusting the amount of split influences the clamping force and the idea of pressure between your cups as well as your ears.
I spent the complete first day I owned these fiddling with the fit,and I still prefer to mess with them somewhat each time I put them on. I’ve tried closing the headband, opening it, putting it towards leading and the trunk of my head, and adjusting the cups along, and towards leading and back of my ears. I finally settled on getting the headband split widely open and leaving the cups three clicks from their maximum size. I also that can compare with how they feel with the headband completely closed, but when I really do that Personally i think like I’m defeating the objective of the split headband to begin with.
The result of all of this fiddling is probably the comfiest fits that I’ve ever endured out of a tiny on-ear headphone. I still feel some small pinching against my glasses after thirty minutes roughly, but it’s quite tolerable, so when I take them off, there’s none of the lingering pain that various other consumer on-ear headphones have delivered.
The ear pads and headband padding both offer a good amount of cushion, despite the fact that they don’t feel just like they will when you initially touch them, as they’re so small.
The HD25 is tremendously stable and rock-solid on the top when worn. It’s not likely to move around, it’s likely to stay right where you put it. Their clamp may be the only noticeable facet of their fit, which is otherwise light and well-balanced.
That reasonably high clamp and the closed-back on ear design give this headphone all the passive isolation you could ever get from an on-ear pair.
While they won’t block noise quite together with a dynamic noise-cancellation pair, they’ll still effectively filter your surrounding environment. With music playing, the loud restaurant I love to write in goes away completely.
If you want to wear headphones around your neck, you’re in luck. The tiny design here ensures that despite the fact that the cups don’t fold flat, they’re still quite comfy when located down around the neck, plus they won’t impede you from rotating your mind. They’re simple to pop off, and according to how well you’ve learned your recommended fit adjustment, relatively simple to pop back on.
For the DJs out there, the left ear cup can rotate up off the ear if you’d prefer to hear the area system. A good touch. But it addittionally ensures that cup is susceptible to rotating out to be prearranged with the other cup, hook challenge when adjusting for comfort in the typical wearing position.
Again, to reiterate, it requires some work to find good comfort here…more work than it probably should in an ideal world. They don’t have the “hook them up to and forget it” quality that the majority of consumer models aim for. You’ve got to just work at it just a little. You’ve surely got to move them and fiddle with them. Do so and you’ll be rewarded.
I could totally understand in the event that you don’t wish to accomplish that. I almost quit on them from then on first day. But I’m glad I stuck around. The more-expensive HD26 offers much cushier padding and an auto-adjusting split headband, if you like the look of the and are concerned about the fiddling, those might appeal for you more…but be warned they can be found in at twice the purchase price.
The aesthetic design of the HD25 screams “work gear.”
Branding is minimal and functional, even offering info on the impedance of the drivers. The complete headphone can be divided into its individual pieces yourself. The detachable cable runs through a straightforward groove in the headband and uses the same somewhat-proprietary plug system also featured on the Sennheiser HD600 series.
You can pop the ear pads off and replace them. You can pop the drivers from the housings. You can swap the cable orientation around in order that the proper ear cup rotates off your ear rather than the left cup, or if you wish the cable entry to be on the other hand. You may easily replace and focus on all here. It’s a genuine modding paradise.
None of the are features that general consumers actually need, and the one they could enjoy (the detachable cable) is merely hard enough to use that they probably won’t. I’ve been leaving my cable attached, and they’re small enough anyway that they still easily fit into my bag just fine.
Build is incredible, a lot more so due to the fact they’re made almost totally of plastic. But it’s a higher grade of thick plastic, straight out of Sennheiser’s famous materials lab. These feel better than almost every other studio headphones in the hand. The ear cups are thick. The parts are robust. They don’t make an individual creak or squeak, so when you bend the headband out the human brain will swear there’s metal inside. But there isn’t.
My pair was built-in Sennheiser’s new Romanian factory, opened partly to maintain with the demand created by their recent success on Massdrop.
After all Drop. Ugh.
So if you’re used to these via Ireland and visit a newer pair from Romania, don’t worry about them being fakes.
If you desire a workhorse headphone that may are in a bag, include you on road adventures, or stay static in a studio packed with angry singers that throw things, then this can be the pair for you personally. 14 years back I worked within an equipment check-out room for a college or university video production program, and I wish we’d had these to provide out to students. You’d need to intentionally make an effort to break them.
Even the cable gets in on the high construction, with a steel wire running inside and a thick angled unimatch 3.5mm plug on the finish and an included 6.3mm adapter. On the plus side, this makes the cable quite straight and simple to untangle. On the minus side, in the event that you intentionally kink the cable it’ll wthhold the bend until you un-bend it. Don’t sit there kinking the cable, and you’ll be fine.
The Sennheiser HD25 is a lightweight, robust, fiddly headphone that delivers excellent sound, high potential comfort, and is totally designed around working environments. If you’re buying a pair that delivers the creature comforts one may want for a good gentle home-listening experience, look elsewhere. But if you wish a trustworthy thing you can throw in a bag, and you will need to mix/monitor/DJ on the run, or maybe work in the world’s loudest office and don’t want to recharge a battery on a regular basis, these are great.
I guess they’re an excellent home listening pair too, nevertheless, you have to really know what you’re getting back in to.
You won’t desire a special amp to power these, however the sound could keep up with whatever degree of volume you throw at it. I came across myself wanting to pay attention to these just a little louder than I normally do, just because of their DJ-style sound signature.
You can simply find friendlier headphones for $149, and even some that may sound easier to you based on your individual tastes. I’d steer most of the people looking for studio gear towards the DT770 or M50X before these…unless you’re that one person who loves the thought of a robust little monster of a lightweight headphone.