Best Sony MDR-7506 Headphone Black Friday Deals 2020
There are many different scenarios whenever a pair of headphones turn into a “must-have” item. One instance is travel. Traveling with a set of active noise-canceling cans is crucial if you wish any type of tranquility. Then there’s exercise and more everyday use cases where in fact the quality of sound may not matter up to the strength of the headphones. Then, of course, there’s the audiophile whose only concern gets the very best sound out of their equipment. But another category that persons have a tendency to ignore are those on the production side. And when it involves sound production one couple of headphones have grown to be all but a business standard: the Sony MDR-7506 headphones.
You’ll see them on the heads of folks in recording studios, newsrooms, and video production crews. As anyone who has experienced recording studios and currently includes a job where editing audio tracks is a requirement, I figured I’d try them out. And even though I did so like them for work, there have been some aspects that made them just a little frustrating to use sometimes. But first, let’s speak about who can purchase these.
The MDR-7506 headphones have a plastic build with a are over-ear cans designed for production.
Will be the Sony MDR-7506 for you personally?
- The best thing about these (as you’ll see later in the video) may be the sound quality that you will get for the price. Of them costing only $79 these are ideal for any budding YouTuber with limited funds or larger organizations that require to obtain entire team a couple of cans.
- People who are likely to be using these at a desk. Because of the long coiled cable and closed-back design, these lead to an excellent office/studio buddy. But if you’re a commuter, the cable is a touch too much of a headache.
How are they built?
Entirely manufactured from plastic, the Sony MDR-7506 aren’t the most durable couple of headphones.
Talking about the construction of the headphones is somewhat conflicting for me personally, because even though I love 80 percent of what they need to offer, that other 20 percent would just make these that far better. Let’s start with the most obvious. These headphones are created almost totally of plastic. That is great since it means they’re lightweight and don’t weigh you down while carrying them around, but it addittionally implies that they’re not absolutely all that durable. They feature a soft travel case, but that isn’t enough to safeguard them easily throw them right into a bag. Generally, though, I just finished up throwing them into my bag and longing for the very best. On the bright side, these won’t cost an arm and a leg to displace, regardless if they do break, so there’s that. In addition they fold down into a far more compact footprint, which is most likely the best thing about these. Just pushing the ear cups toward the headband offers you a satisfying click that tells you you’re all set, and even though it still doesn’t seem to be unbreakable, it becomes so much smaller that it’s super useful.
The headphones don’t have almost any plush foam padding, but they’re still sufficiently comfortable so you can get the work done. True, they clamp down on the ears a touch too hard, and the crown of my head felt enjoy it was pinched during longer listening sessions. But neither of the issues were enough to create me take these off for relief. Still, if Sony could have just made the ear cups or padding a bit more comfortable, I’d have nothing to complain about. Luckily, I wasn’t the only the one which felt this way, which includes resulted in a thriving market on Amazon for replaceable ear pads with better padding. If you do get these and want to go that extra mile, you have a good amount of options.
I had no issue driving these headphones with mobile phones or perhaps a tiny synthesizer.
Now, I have something for all-black headphones with a minor turn to them, and these toe that line, but something about them stops me from really enjoying the look of these. It may be the wrinkles in the padding, or the fake leather stitching, or the heavy branding on both ear cups, but it’s probably each of the above. All that come up with results in a thing that simply isn’t pleasing to the attention. To be fair though these arrived a few decades ago, so maybe these were the epitome of design at that time. Now they just seem to be like boring, work headphones if you ask me.
The Sony MDR-7506’s can fold right down to a far more compact size (plus they have a satisfying click while doing this).
The cable is non-removable (so don’t break it), but it’s super thick and durable. It almost weighs the headphones down when you’re wearing them, but I sort of like this about them. It adds a good heft that inspires confidence and makes them feel heavier and sturdier than something manufactured from plastic. I’ll say that, while this is welcome while sitting within my desk, it was a lttle bit of a headache to use while on trips just as a result of how heavy and long the coiled cable is.
How do you hook up to them?
The 3.5mm connector may be the only way to hook up these to anything, nonetheless they have a 1/4″ adapter.
Obviously, these aren’t Bluetooth, so are there no fancy codecs you will need to worry about. They are an excellent ‘ol fashioned couple of cans that result in a gold-plated 3.5mm connector with threading onto it to add the included ¼” adapter for if you want to plug into something a bit more substantial when compared to a smartphone. Now, these do have an impedance of 63ohm, so any weaker smartphones may need a lttle bit of a boost to power them. Granted, I had no issues while using an iPhone X (with dongle), Pixel 2 (with the freaking dongle), my Macbook Pro, or my OP-1 synthesizer. Each sufficiently drove the headphones and I didn’t have any issues.
Let’s talk sound
I said in the beginning that these are believed industry standards, and sure, their compact build has something regarding that, but it’s mainly as a result of the sound that the 40mm drivers generate. Now, in terms of audio tracks production, you’ll hear conditions like “flat” and “neutral” thrown around a whole lot, and what this signifies, the bottom line is, is that the headphones can reproduce each frequency in the frequency range (in cases like this 10Hz – 20kHZ) at the same sound-pressure level.
Sony made these for audio tracks production, and they’re proficient at what they do.
While that’s what most headphones designed for this sort of work try to achieve, the Sony MDR-7506 master this. However they also emphasize part of the frequency range that few consumer headphones do, which may be the mids and highs. It’s no secret that Beats headphones put in a hefty amount of emphasis to lessen notes, which results in a booming bass that consumers enjoy.
However, the MDR-7506 go in the other direction. Since you can plainly see from the chart, the reduced end hugs a fairly flat line in comparison to other headphones making their bass response clear and simple to hear, though much less powerful as some consumers could possibly be used to. In addition they slightly emphasize the mids and the highs, that can be both bad and the good. Though they are able to reach only 10Hz, they don’t do that great of employment bringing the bass to the forefront.
I’m used to the thumping kicks in the song Girls by Slow Magic being front and center, but here they’re left in the backdrop, as the rhythmic shake/claps which come in at 0:39 take center stage. Despite having everything going on at this stage in the song, you can still evidently hear the slight reverb put into the claps giving it a livened feel.
This is also observed in the song Home Again by Michael Kiwanuka. The song begins acoustically with just Michael’s vocals and his guitar driving everything forward, and generally in most headphones, the bass strings that he plucks 14 seconds in to the song are immediately noticeable and (never to get too deep) put in a sense of urgency to the track, forcing you to give consideration. Here those plucks don’t have the same impact; instead, his vocals receive prominence. That is all well and good for folks who don’t want bass overtaking a song; except it’s almost an excessive amount of. At certain points in the song, you can hear some distortion and harshness creeping in.
So you’re probably thinking, “When there is harshness and distortion, then why are they the industry standard?” Well, it’s actually the emphasized mids and highs that produce these so great. You must remember their intended purpose. They’re not for hearing music; though, you obviously may use them for that. We were holding made for production, so when producing, you want to make certain that whatever you’re mixing will probably sound clear to the listener. So if something sounds harsh for you on these headphones, you understand that it’s bound to sound harsh on someone else’s headphones. Knowing that relationship will help you take into account that in a combination.
While these headphones are more-used than nearly every other in the imaginative industry, they’ve been with us a long time, and today there are a lot of rivals which may be worth your while. For instance, the AKG K371 can be an absolutely stellar low-cost group of studio monitors, despite the fact that they’re usually $60 more costly than the MDR-V7506 at the very least. For that supplemental income, you’re getting improved sound quality and comfort-though you can get two MDR-7506 headsets for the cost of one of those.
That’s why is these so great for folks recording are in the field or anyone editing in a studio. Not long ago i edited a podcast with a set of crummy in-ears while I was traveling, and it sounded fine to me-until I arrived home and listened with these. Every little flaw became immediately apparent. For anybody who needs the finished product to sound perfect and doesn’t want to invest thousands on a set of reference headphones just like the Sennheiser HD800, it’s simple to recommend the