JBL Bar 3.1 Soundbar Review: Buy On Amazon At Great Deal

Deal Score0
Deal Score0

We visit a fair number of soundbars that cost up to the $499.95 JBL Bar 3.1 and do not add a subwoofer. JBL does, and better still, the sub is wireless. Bass lovers will be thrilled with the system’s performance, however the lows can even be adjusted to reasonable, non-house-shaking levels. For the purchase price, the Bar 3.1 gives a number of the better overall rumble in the lows balanced with clarity in the highs we’ve tested, earning it our Editors’ Choice award.

Design


The soundbar factor of the Bar 3.1 measures 2.3 by 40.0 by 3.1 inches (HWD) and weighs 5.1 pounds. An LED display shines through the metallic speaker grille that covers leading and top faces of the speaker and, in large letters, lets you know what sound source you’re hearing. Behind the grille, there’s an extraordinary selection of drivers-six 2.3-inch drivers and three 1.3-inch tweeters, for a complete of 450 watts of power.

Over the top panel of the soundbar, there are buttons for power, volume down, volume up, and sound source. There are several connectivity options. The Bar 3.1 has connections on the trunk panel for HDMI ARC output, and also three HDMI inputs (an HDMI cable is roofed), an optical input (no cable is roofed because of this connection), a 3.5mm aux input (a cable is roofed), and a USB port for playing music placed on USB devices. The speaker can stream audio tracks via Bluetooth, aswell. As well as the cables, JBL includes mounting brackets and helpful information for wall mounting.

The wireless black subwoofer is pretty hefty at at 12 by 12 by 17.3 inches and 26.7 pounds. Internally, it houses a 10-inch driver. Not everyone will love having a speaker how big is a tiny trash can within their living room, but if you will get at night size, it offers some serious rumble. A power cable connects to the trunk panel, where there’s a pairing button to hook up it with the soundbar. This technique is meant to be automatic, but we’d to pair them manually by using a sequence of button presses on the remote-this process is detailed in the manual.

The included remote is large enough that it will most likely not get lost in the couch, and it features a variety of controls. There are buttons for power, sound source, music sync (plus and minus buttons to modify delay with the video), bass boost/cut (levels range between 0 to 30), mute, sound mode (select from Standard, Movie, Music, Voice, or Sports), Bluetooth, soundshift (this enables for quick switching between sound sources whenever a Bluetooth device is paired), shuffle (for the USB audio tracks mode), surround (a virtual surround effect), night mode (for decreasing transient louder sounds in a combination), and dim display (making the LEDs less bright). Gleam central playback pad for controlling play/pause, volume, and track navigation.

Performance


On Chapter 13 of the Pacific Rim Blu-ray, there are explosions and massive robotic stomping sounds offering a good chance to try out the bass depth of the Bar 3.1 and its own subwoofer. In Standard mode, the audio tracks is intense, with a good amount of powerful bass rumble. Switch to Movie mode, and the subwoofer gets a lot more power. Luckily, the soundbar itself offers excellent clarity through the high-mids and highs, which will keep things balanced. Boosting the bass beyond level 15 gives rumble that literally shook the walls of our testing space. Bass lovers will never be disappointed.

On Chapter 3 of the Casino Royale Blu-ray, the Bar 3.1 gives the punches, gunshots, and explosions of the soundtrack with exciting power. With the bass levels at 20, the rumble in these occasions is fantastic, rather than overshadows the clarity of the highs. Voice mode can even be employed to improve the dialogue a bit, but we found Standard and Movie modes to be the very best for films, and speech clarity was never a concern.

For music tracks with strong sub-bass content, just like the Knife’s “Silent Shout,” the Bar 3.1 gives a good bass response with some definite subwoofer presence. With the bass level at 15, the music sounds quite powerful. Should bass lovers crave a lot more power, the sub sounds insane at level 30. Despite having the entire volume level at a comparatively modest setting, the sub shook the walls when at maximum. It’s a ridiculous amount of bass, an excessive amount of really, but dialed back, it offers an extraordinary amount of thunder. For music especially, we recommend keeping the bass at 15, or simply a hair above if you wish some added oomph.

Bill Callahan’s “Drover,” a track with much less deep bass in the mix, gives us an improved sense of the Bar 3.1’s general sound signature. With the sub at 15, the drums upon this track sound reserved-round and full, however, not practically as powerful as the sub could make them sound. Boosting to about level 20 supply the drums some added rumble without making them sound ridiculous. And whatever the sub, the soundbar does an excellent job of keeping things crisp and clear-the vocals, guitar strums, and higher register percussive hits are delivered with notable brightness. Some will dsicover the overall sound to become a tiny bit scooped out in the middle-all treble and bass, less mids. It’s a good gripe, but most listeners will see the Bar 3.1 to be balanced and vibrant.

On Jay-Z and Kanye West’s “No Church in the open,” the drum loop gets an excellent amount of high-mid presence, allowing its attack to stay sharp and slice through the layers of the mix. Meanwhile, the sub-bass synth hits that punctuate the beat are delivered with mega thunder, even at level 15. Once more, we heard our walls rattle.

For orchestral tracks, just like the opening scene in John Adams’ The Gospel In line with the Other Mary, the low register instrumentation sounds excellent-it could be dialed back again to a reserved status, or pumped up to over-the-top presence. Somewhere in the centre, the lows sound rich, full, and complementary to the bright occurrence of the bigger register brass, strings, and vocals.

Conclusions


The JBL Bar 3.1 sounds fantastic whether you’re watching a movie or hearing classical music, and the subwoofer gives some serious power that is pretty impressive for the purchase price. Bass lovers will be especially pleased, however the fact you could adapt bass levels means just about anybody can locate a sound that suits their taste. In this cost range, we’re also fans of the Sony HT-NT5, the LG SJ7, and the sub-free Focal Dimension. However the Bar 3.1 gives the most power for your cash, and that earns it our Editors’ Choice award.

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